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Riley Bathurst

Pushing Pixels Since Two Thousand & Nine.

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Splitboard Access

Alpine starts is a euphemism of waking up way too early so that you can get up a mountain at the time you need to, this is generally well before day break but it can make for some amazing images with the soft morning light.

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Jesse Allely, Sunset

Ben Comber, Miller Flip

The season had only just finished and there was plenty of snow still in the mountains giving us the chance to use the ski field in a way that we normally would just cruise on by and some of the best images are really just under your nose the whole time. This image was published in Manual Magazine.

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Dirt Day

I was asked to put together a new piece for the rumblers right around the time Mad Max Fury Road was released and this couldn’t not have an impact on the gang as well as what I would do with the design so I grabbed a few old shots I had and clicked around a bit in photoshop.

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Pinky Pineapple

I’ve always thought fashion is the best use of a camera, thankfully I get the chance to work on a few projects here and there when I’m out of the mountains.

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How to access Temple Basin

Working with one of the more unique ski fields in the world we produced a video to even be able to find the place, I’ve spent a little time up there and would recommend to anyone that hasn’t been to watch this clip and make your way to Temple.

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Sophie Jo New Site

Dice Brass Knuckles & Guitar

Premiere Pro CC Cinema DNG

So for a project I’m editing video for I have been given footage in a format I haven’t used before and didn’t shoot but with a bunch of googling I haven’t been able to find a workflow that works well for me but this is where I am at, so by no means is this perfect but it’s the current workflow I have which seems ridiculously long and slow with a bunch of processing time so I’m wondering if this is just a computer speed issue or Cinema DNG’s, the Odyssey or are just RAW videos a lot to work with due to these at least having 90Gb single shots.

Setup.

Camera – Sony FS700

Recorder – Convergent Design Odyssey 7Q

Recording formats – Cinema DNG 2k or 4k

Computer – iMac 27” 3.4GHz  24 GB Ram
Editing program – Premiere Pro CC

Workflow.

Finder

  1. Create a new project in finder
  2. go through all dumped cards to find CARD1 clips named _SSD1
  3. From a second finder window drag and drop all clips from CARD2 _SSD2 of the same number into the _SSD1 folder of the same number

Premiere Pro

  1. Import each individual DNG Sequence from media importer into Premiere Pro
  2. Drag and drop to create a new sequence
  3. Add an out point to the end of the video
  4. Export H.264 of each clip individually with the same name to a new folder called “Compressed DNGs”
  5. Import all of those H.264 clips in the folder
  6. Edit with compressed
  7. In final sequence find any DNG clips by reading timeline
  8. If they have been sped up nest the sequence and slow to 100%
  9. Open in source monitor
  10. Find frame numbers used, if needed change the view mode from time to frames at the bottom right of the source monitor

Finder

  1. Create folder called “TIFFs” in the project folder
  2. Find the frames used in source monitor by numbers and drag these to edit subfolder, all if enough of the clip is needed

Photoshop

  1. Open the finder window of the clip and select the necessary files
  2. Colour correct a DNG frame in camera RAW
  3. Copy setting and paste to all other frames
  4. Save to a new folder with the clip name in the “TIFFs” folder

Premiere

  1. Double click in blank space of project window to import each clip
  2. Select first .tiff making sure image sequence is ticked
  3. Replace compressed H.264 with .tiff clip
  4. Final colour correction with lumetri color inside of PP

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The Wireless – Carlos Garcia Knight

During a trip south last week I got to catch up with one of the younger snowboarders that’s made the transition from Hutt park rider to Wanaka local and is making the transition from small time kiwi to internationally known snowboarder and hopefully the next step of that journey is Winter Games. A bi-annual festival thats been running a while in the southern lakes, kinda a small version of the Winter Olympics which is about to start and run for the next ten days or so. I wanted to take a little different approach on the film and show off how Carlos is working as athlete and how that is effecting the way he rides and the part I’m liking about it is that he’s not a text book robot with a style stronger than his skinny frame.

Check the full article at http://thewireless.co.nz/articles/searching-for-that-mountain-high

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