By capturing ideas in light theres a freedom of letting somethings be part of the “real” world and controlling others. Taking one frame or 240 a second there are ideas that need to be developed.
I’m kinda getting used to being in-front of the camera, it’s still weird and I’d rather let someone else do it but with the deadlines and this year and it’s just easier to get some of the dialogue for these. Also really happy with the cable cam shots later in this ep, new setup for me and I’m going to try and do more with it.
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One of the most fun edits I do each year in the Snowledge Team edit, going back through everything that’s been shot for the year and bringing it all together in a single video. This year I kept it a little more traditional with each skier or snowboarder having a mini section within the larger so that it could be cut up for Instagram length clips and stories.
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This is a really different style of video for me, I’m trying to get more comfortable infront of the camera and be able to do something along the style of a vlog. There are a bunch of reason for this including 2020 shooting as a crew is problematic but its all a learning curve for me so don’t judge it too harsh.
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