By capturing ideas in light theres a freedom of letting somethings be part of the “real” world and controlling others. Taking one frame or 240 a second there are ideas that need to be developed.
Every time I go to the Pacific North West I’m reminded why I want to spend more time there but then the reality of the weather kinda sets back in, yeah the skiers never ran but the snowboarders killed it on the King so that was cool to film.
While traveling through Canada during January with the Snowledge crew we caught the 2019 Canadian Open Freeride Championships at Red Mountain, it was a cool little comp which happened to hit a perfect storm with a few inches falling during the night and sunny skies. Check the full post over at Snowledge
Getting on the road the past few weeks felt really good and even tho we were not entirely ready we had to pull the trigger to make it up to Revelstoke for the FWQ4* these events are always a blast and the level just keeps on going up. Covering the event solo is definitely a stretch but I was able to find a nice little spot to post up and catch a bunch of the runs and was able to create a vid for the Snowledge Blog here.
I have this slight filters dilemma, I can’t tell you my dream day in the mountains. I hear from most people it’s pretty simple. Fresh snow, Helicopter and those parts I agree on I’ve been lucky to have been in that situation on multiple occasions. I have the problem of which side of the lens I want to be on. The best feeling is riding a board no doubt but I feel more fulfilled at the end of the day when I sit down at the computer and work through the footage, capturing the artistic spirit of the mountains, not to say I don’t remember a perfect turn or an air but I love keeping the moments alive and for the world to see. Sometimes I can do both and I really want to work on some better self portraits this winter.
This video is a lot of those in-between moments, A quick rip around the hill when the usual suspects are nowhere to be found on a pretty good but not epic day, a few park laps when the crew are feeling beat up from new tricks or just not feeling like anything is coming together and I can throw them the follow cam stick.
And for the help with this I am super grateful to everyone that helped with these shots.I know the sacrifice even when your feeling good but not perfect to take the camera down setup and get setup.
I present to you in full my Snowledge Filmer’s Edit Twenty Seventeen / Eighteen
I’m not sure if I like GoPro’s more as a filmer for being a great little camera or as an editor as pretty much the whole crew have one and can bring me a bunch of shots without having to be at every single thing ever, or even just a second angle so we cut a whole video of GoPro clips, some of mine and a whole bunch from the crew.
When last winter started slowly we we’re sitting around and I wanted to make something a little more interesting than the general snow shots we we’re running on Snowledge for marketing and social purposes. So we goofed off for a day and filmed this, but then it did start snowing and I had a very rough version sitting in Premiere for most of a year, the biggest delay was finding a voice over artist. I tried getting a couple of people involved but in the end I was sitting down with Chase Schwietzer over pizza for another project and brought this up as something I had been meaning to get sorted, he jumped at the chance to be involved and really came through. When I got the final cut sorted a bunch of his best friends couldn’t pick it was him so I’ll take that as him being deep enough in character. Thanks also to Kenzie and Eric for being willing to help with stupid things I want to do and watch out for the next few versions I have sitting in a note but if they get done sooner or later is a question that will be seen later.
During the cold of last winter I got the chance to head back to Canada for the first time in eight years, we spent a couple days in my old stomping grounds of Whistler before heading to Revelstoke, a mountain I’ve been looking forward to for a long time and it did not disappoint. From Reve we took the ferry down to a little cat skiing operation an hour or so South and as soon as we got into the hills it was obvious why magazines and movies have been shooting Retallack for the past ten years. The footage is pretty much all gopro as we we’re shooting stills and trying to make the most of the trip slamming as many runs as possible.
Another of those fun little music pieces I’ve been working on with Moonshine Ink and their crew, I was running around with the gimbal for this one.
Over the course of a week I travelled with the Snowledge crew through mostly Oregon and riding the peaks that were still covered in snow. A large amount of the project was shot on iPhone on top of a bracket while I was also shooting stills, this defintley knocks the quality down on both but let me create a huge amount of content to keep the Snowledge social media feeds going through the summer.
In a really nice turn of events it kinda made sense to pick up the iPhone X, I grabbed it the day I jumped on the road but it was a blur of using a real camera most of the time, I got home and got to put the camera to the test with a few friends for a Snowledge video around the local resort.