For a decidedly white day it was a rather fun and mellow comp and for my first time working with Volcom a good chance to get a little more weird on the logo animation.
For a decidedly white day it was a rather fun and mellow comp and for my first time working with Volcom a good chance to get a little more weird on the logo animation.
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Early last week I got out the back for another day on the split board which seems to be becoming more regular than riding the lifts for me this season and this article we shot explains a little about why and the photos explain the rest. Will J getting some of the best snow of this season.
MountainWatch Split or Snowshoes Article.
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The snow isn’t quite as deep and fresh as I would be hoping for in mid July but we’ve got some so we went searching. Charlie Murray getting a little turn in.
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I got up to Christchurch to check out and shoot the redeveloped Washington Way skate park for the latest Airtime Ep on TV 4 and NZSkate.com, one of the best places I’ve had a roll, too bad we struggled with the weather before deadline and I was back South before I had that much of a chance to skate the park myself. Thanks to James, Jordan, Jack & Alex for helping out with the shoot.
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Slash shot last year in the slack country, printed this year in the CHILL Mag.
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So with dead season hanging around I got down to the skate parks and caught up with a few of the locals for an Airtime Ep now playing on TV Four and NZSkate.com. Thanks to Indy, Sage, TJ, and everyone else who helped out and braved the cold and frosty parks.
The video has been taken offline.
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A couple of months in the Niseko backcountry with Will Jackways and a whole lot of powder, I sent the hard drive off to the USA where the Monster Energy crew put together this edit.
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After stamping around the hills of Japan for a couple of months in a lot of the best snow I have come across we have got our edit out and is currently the title piece of twsnow.com. A massive thanks to Will first and foremost for making this happen and putting in soo much work to get the shots plus also to the whole crew who helped out while we were there and getting it online.
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A few of were looking at running a little event that looks like it isn’t going to happen anymore so I figure I should leave this online as otherwise I’ll forget about it somewhere in my hard drives.
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When your shooting with Josh O theres always one more lap, one more trick, one more frame and this allows the juxtaposition of different tricks and tweaks.
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