Blog

Everything I post up from the staples, design, photo and video to plenty of smaller projects and ideas that won’t make the main pages of the portfolio or other things I’m trying out.

Premiere Pro CC Cinema DNG

So for a project I’m editing video for I have been given footage in a format I haven’t used before and didn’t shoot but with a bunch of googling I haven’t been able to find a workflow that works well for me but this is where I am at, so by no means is this perfect but it’s the current workflow I have which seems ridiculously long and slow with a bunch of processing time so I’m wondering if this is just a computer speed issue or Cinema DNG’s, the Odyssey or are just RAW videos a lot to work with due to these at least having 90Gb single shots.

Setup.

Camera – Sony FS700

Recorder – Convergent Design Odyssey 7Q

Recording formats – Cinema DNG 2k or 4k

Computer – iMac 27” 3.4GHz  24 GB Ram
Editing program – Premiere Pro CC

Workflow.

Finder

  1. Create a new project in finder
  2. go through all dumped cards to find CARD1 clips named _SSD1
  3. From a second finder window drag and drop all clips from CARD2 _SSD2 of the same number into the _SSD1 folder of the same number

Premiere Pro

  1. Import each individual DNG Sequence from media importer into Premiere Pro
  2. Drag and drop to create a new sequence
  3. Add an out point to the end of the video
  4. Export H.264 of each clip individually with the same name to a new folder called “Compressed DNGs”
  5. Import all of those H.264 clips in the folder
  6. Edit with compressed
  7. In final sequence find any DNG clips by reading timeline
  8. If they have been sped up nest the sequence and slow to 100%
  9. Open in source monitor
  10. Find frame numbers used, if needed change the view mode from time to frames at the bottom right of the source monitor

Finder

  1. Create folder called “TIFFs” in the project folder
  2. Find the frames used in source monitor by numbers and drag these to edit subfolder, all if enough of the clip is needed

Photoshop

  1. Open the finder window of the clip and select the necessary files
  2. Colour correct a DNG frame in camera RAW
  3. Copy setting and paste to all other frames
  4. Save to a new folder with the clip name in the “TIFFs” folder

Premiere

  1. Double click in blank space of project window to import each clip
  2. Select first .tiff making sure image sequence is ticked
  3. Replace compressed H.264 with .tiff clip
  4. Final colour correction with lumetri color inside of PP

Explore Premiere Pro CC Cinema DNG
snowboarding portrait

During a trip south last week I got to catch up with one of the younger snowboarders that’s made the transition from Hutt park rider to Wanaka local and is making the transition from small time kiwi to internationally known snowboarder and hopefully the next step of that journey is Winter Games. A bi-annual festival thats been running a while in the southern lakes, kinda a small version of the Winter Olympics which is about to start and run for the next ten days or so. I wanted to take a little different approach on the film and show off how Carlos is working as athlete and how that is effecting the way he rides and the part I’m liking about it is that he’s not a text book robot with a style stronger than his skinny frame.

Check the full article at http://thewireless.co.nz/articles/searching-for-that-mountain-high


Explore The Wireless – Carlos Garcia Knight

Skate Rooster

As one of those things I’ve always been meaning to do I got a un-cut blank for my next skate deck, I wasn’t exactly sure of how to make it into something and just made some of it up along the way, anyway the shape is kinda what I was skating with Santa Cruz and the graphic is freehand acrylic pen based on the srircha hot sauce bottle that for some reason I thought would work for a graphic on something or other.

skateboard graphic


Explore Skate Rooster

Film 2.0

From the time I failed photography in high school, the only subject I’ve ever failed at school, I’ve shot and made a lot of my living from photos. I didn’t quite understand some of what to do with my photos when I was at school but I liked shooting them in action sports in my spare time, probably should have just done that for the class but hey. So ever since then I was always a huge fan of photographers that can shoot film so wanted to do the same and have had a lot of film cameras around, sometimes just because they look cool but film isn’t that easy to deal with. One of my buddies and camera geek Alex Bowater has been working on a new system that deals with the fact neither of us have a dark room. This is now my first roll I’ve worked on the whole way from shot to distributed myself, giving me the ability to work the shots the way I want.
 
First step, tiny dev tank with cafenol, crappy instant coffee and a couple other under the sink chemicals.
Step 2 an old slide duplicate with a little mod and were getting the shots to digital.
Step 3 an absolute handful of apps and I can have them sorted online.
 
Yeah it’s ridiculous I could just shoot right in the instagram app but it’s nowhere near as fun so I’m going to keep doing this a lot more, well hopefully, I said I’d be doing this in high school, it’s only taken ten years to get a setup. It can only get better from here and I need a high quality version for medium format too.
 
Until then here’s a photo of Kenzie and her dog Blue at Tahoe.
35mm film photo of kenzie and blue


Explore Film 2.0

CHILL Winter Mag 15

I haven’t been spending a huge amount of time in the clubbies the past few years but that didn’t stop me from making it into the Licence to Chill Manual #10 with a couple shots from the trusty iPhone. I pretty much never shoot with my phone but Kenzie wrote a piece on disk golf and I had a couple images of her playing so what they say about the best camera being the one you have with you is true and I’m pretty happy with the quality of this shot.

disk golf photo


Explore CHILL Winter Mag 15
skateboarder portrait

One of the nice perks of this job is that I got to work with one of those people that I’ve been interested in for a while. I’ve skated his boards on and off for a while, as has probably everyone thats skated in NZ.
I’ve heard a fair amount about Dave, he lives half an hour away from where I did a bunch of years back on the west coast, where both of us were kinda in the middle of nowhere, which is maybe why I hadn’t met him, he enjoys his privacy, making it really cool that he let us follow him around with a camera and Anna Pearson with her notepad. Check the full piece on The Wireless or the video piece.


Explore The Wireless – Dave North