A couple of weeks back I got to catch up with one of skiing pioneers and quite the marketing genius, more people know who this guy is than the last olympic gold medalists to have a chat for The Inertia and Canted Angle Productions.
For longer than I should probably admit I’ve been working on this piece, when I moved down to Queenstown we had a real good collection of vinyl, another year later I started messing around with 3 axis gimbals and then finally this spring we got some of the snow shots to start editing it up, I had to get Alex Bowater’s help on it as well but it’s something I’m happy with.
Ben was the one that came up with the name, basing it on this being the last track of Ray Charles, Yes Indeed album and the last days of spring, this was filmed literally the last full day I had in New Zealand but what better way to spend it than shredding the old stomping grounds.
I’ve been throwing a bit of my spare weekends and nights editing up some rather cool footage of the girls skating around the South Island then off to Phillipines earlier in the year, would have been awesome to be on this one but sometimes you just can’t be everywhere at once.
In something far more serious than my normal work I have been working with Anna Pearson on this story for the Wireless, I’ll let the piece explain the severity of the situation but hopefully our piece can be some inspiration for good.
Working with one of the more unique ski fields in the world we produced a video to even be able to find the place, I’ve spent a little time up there and would recommend to anyone that hasn’t been to watch this clip and make your way to Temple.
So for a project I’m editing video for I have been given footage in a format I haven’t used before and didn’t shoot but with a bunch of googling I haven’t been able to find a workflow that works well for me but this is where I am at, so by no means is this perfect but it’s the current workflow I have which seems ridiculously long and slow with a bunch of processing time so I’m wondering if this is just a computer speed issue or Cinema DNG’s, the Odyssey or are just RAW videos a lot to work with due to these at least having 90Gb single shots.
Setup.
Camera – Sony FS700
Recorder – Convergent Design Odyssey 7Q
Recording formats – Cinema DNG 2k or 4k
Computer – iMac 27” 3.4GHz 24 GB Ram Editing program – Premiere Pro CC
Workflow.
Finder
Create a new project in finder
go through all dumped cards to find CARD1 clips named _SSD1
From a second finder window drag and drop all clips from CARD2 _SSD2 of the same number into the _SSD1 folder of the same number
Premiere Pro
Import each individual DNG Sequence from media importer into Premiere Pro
Drag and drop to create a new sequence
Add an out point to the end of the video
Export H.264 of each clip individually with the same name to a new folder called “Compressed DNGs”
Import all of those H.264 clips in the folder
Edit with compressed
In final sequence find any DNG clips by reading timeline
If they have been sped up nest the sequence and slow to 100%
Open in source monitor
Find frame numbers used, if needed change the view mode from time to frames at the bottom right of the source monitor
Finder
Create folder called “TIFFs” in the project folder
Find the frames used in source monitor by numbers and drag these to edit subfolder, all if enough of the clip is needed
Photoshop
Open the finder window of the clip and select the necessary files
Colour correct a DNG frame in camera RAW
Copy setting and paste to all other frames
Save to a new folder with the clip name in the “TIFFs” folder
Premiere
Double click in blank space of project window to import each clip
Select first .tiff making sure image sequence is ticked
Replace compressed H.264 with .tiff clip
Final colour correction with lumetri color inside of PP
During a trip south last week I got to catch up with one of the younger snowboarders that’s made the transition from Hutt park rider to Wanaka local and is making the transition from small time kiwi to internationally known snowboarder and hopefully the next step of that journey is Winter Games. A bi-annual festival thats been running a while in the southern lakes, kinda a small version of the Winter Olympics which is about to start and run for the next ten days or so. I wanted to take a little different approach on the film and show off how Carlos is working as athlete and how that is effecting the way he rides and the part I’m liking about it is that he’s not a text book robot with a style stronger than his skinny frame.
One of the nice perks of this job is that I got to work with one of those people that I’ve been interested in for a while. I’ve skated his boards on and off for a while, as has probably everyone thats skated in NZ.
I’ve heard a fair amount about Dave, he lives half an hour away from where I did a bunch of years back on the west coast, where both of us were kinda in the middle of nowhere, which is maybe why I hadn’t met him, he enjoys his privacy, making it really cool that he let us follow him around with a camera and Anna Pearson with her notepad. Check the full piece on The Wireless or the video piece.
I’ve been working with the guys at Wine Ram productions on the post production for Off The Grid wines, this is the start of a full campaign that I am editing and will be released soon. It’s great to see NZ companies pushing the boundaries on what is possible and investing in interesting media from the get go.